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Review: Realism and Tinsel: Cinema and Society in Britain 1939-48 by Robert Murphy
Alan Rosenthal

Winter, 1991-1992, Vol. 45 No. 2, (pp. 55-56) DOI: 10.2307/1213084
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Review: Resisting Images: Essays on Cinema and History by Robert Sklar, Charles Musser
Mark Lawrence Kornbluh

Winter, 1991-1992, Vol. 45 No. 2, (pp. 56-58) DOI: 10.2307/1213085
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Review: French Film: Texts and Contexts by Susan Hayward, Ginette Vincendeau
Edward Baron Turk

Winter, 1991-1992, Vol. 45 No. 2, (pp. 58-60) DOI: 10.2307/1213086
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Review: Female Spectators: Looking at Film and Television by E. Deidre Pribram
Barbara Quart

Winter, 1991-1992, Vol. 45 No. 2, (pp. 47-48) DOI: 10.2307/1213080
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Review: A Cinema of Nonfiction by William Guynn
Bill Nichols

Winter, 1991-1992, Vol. 45 No. 2, (pp. 60-61) DOI: 10.2307/1213087
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Review: The Columbia Checklist: The Feature Films, Serials, Cartoons and Short Subjects of Columbia Pictures Corporation, 1922-1988 by Leo D. Martin
James L. Neibaur

Winter, 1991-1992, Vol. 45 No. 2, (p. 61) DOI: 10.2307/1213088
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Review: Mystifying Movies: Fads and Fallacies in Contemporary Film Theory by Noël Carroll
Stephen Prince

Winter, 1991-1992, Vol. 45 No. 2, (pp. 49-51) DOI: 10.2307/1213081
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Review: Questions of Third Cinema by Jim Pines, Paul Willemen
Gina Marchetti

Winter, 1991-1992, Vol. 45 No. 2, (pp. 52-54) DOI: 10.2307/1213082
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Review: Alfred Hitchcock and the Making of "Psycho" by Stephen Rebello
Paul Thomas

Winter, 1991-1992, Vol. 45 No. 2, (pp. 54-55) DOI: 10.2307/1213083
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Review: Screwball: Hollywood's Madcap Romntic Comedies by Ed Sikov
John Belton

Spring, 1991, Vol. 44 No. 3, (pp. 58-59) DOI: 10.2307/1212798

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