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Film Quarterly

More articles from Books

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    Review: French Film: Texts and Contexts by Susan Hayward, Ginette Vincendeau
    Edward Baron Turk
    Winter, 1991-1992, Vol. 45 No. 2, (pp. 58-60) DOI: 10.2307/1213086
  • You have accessRestricted access
    Review: Female Spectators: Looking at Film and Television by E. Deidre Pribram
    Barbara Quart
    Winter, 1991-1992, Vol. 45 No. 2, (pp. 47-48) DOI: 10.2307/1213080
  • You have accessRestricted access
    Review: A Cinema of Nonfiction by William Guynn
    Bill Nichols
    Winter, 1991-1992, Vol. 45 No. 2, (pp. 60-61) DOI: 10.2307/1213087
  • You have accessRestricted access
    Review: The Columbia Checklist: The Feature Films, Serials, Cartoons and Short Subjects of Columbia Pictures Corporation, 1922-1988 by Leo D. Martin
    James L. Neibaur
    Winter, 1991-1992, Vol. 45 No. 2, (p. 61) DOI: 10.2307/1213088
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    Review: Mystifying Movies: Fads and Fallacies in Contemporary Film Theory by Noël Carroll
    Stephen Prince
    Winter, 1991-1992, Vol. 45 No. 2, (pp. 49-51) DOI: 10.2307/1213081
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    Review: Questions of Third Cinema by Jim Pines, Paul Willemen
    Gina Marchetti
    Winter, 1991-1992, Vol. 45 No. 2, (pp. 52-54) DOI: 10.2307/1213082
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    Review: Alfred Hitchcock and the Making of "Psycho" by Stephen Rebello
    Paul Thomas
    Winter, 1991-1992, Vol. 45 No. 2, (pp. 54-55) DOI: 10.2307/1213083
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    Review: Realism and Tinsel: Cinema and Society in Britain 1939-48 by Robert Murphy
    Alan Rosenthal
    Winter, 1991-1992, Vol. 45 No. 2, (pp. 55-56) DOI: 10.2307/1213084
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    Review: Resisting Images: Essays on Cinema and History by Robert Sklar, Charles Musser
    Mark Lawrence Kornbluh
    Winter, 1991-1992, Vol. 45 No. 2, (pp. 56-58) DOI: 10.2307/1213085
  • You have accessRestricted access
    Review: Feminism and Film Theory by Constance Penley
    Dana Polan
    Spring, 1991, Vol. 44 No. 3, (pp. 60-61) DOI: 10.2307/1212800

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