Table of Contents

Vol. 63 No. 1, Fall 2009

Articles

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Rohmer's Salon
Leo Bersani, Ulysse Dutoit

(pp. 23-35) DOI: 10.1525/FQ.2009.63.1.23

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A Handful of World: The Films of Peter Thompson —— An Introduction and Interview
Jonathan Rosenbaum

(pp. 36-43) DOI: 10.1525/FQ.2009.63.1.36
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Imamura Revisited
Donald Richie

(pp. 44-49) DOI: 10.1525/FQ.2009.63.1.44
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Bulldozers, Bibles, and Very Sharp Knives: The Chinese Independent Documentary Scene
Abéé Mark Nornes

(pp. 50-55) DOI: 10.1525/FQ.2009.63.1.50
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L.A.'s Hipster Cinema
David E. James

(pp. 56-67) DOI: 10.1525/FQ.2009.63.1.56

Departments

Editor's Notebook

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Against Nature
Rob White

(pp. 4-5) DOI: 10.1525/FQ.2009.63.1.4

Marx and Coca-Cola

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The Future in Labor
Joshua Clover

(pp. 6-8) DOI: 10.1525/FQ.2009.63.1.6

New York Notebook

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Surviving
William Johnson

(pp. 9-11) DOI: 10.1525/FQ.2009.63.1.9

Talking Point

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The Avant-Garde Archive Online
Danny Birchall

(pp. 12-14) DOI: 10.1525/FQ.2009.63.1.12

Reconsideration

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Le Plaisir: ““The Mask”” and ““The Model””
V. F. Perkins

(pp. 15-22) DOI: 10.1525/FQ.2009.63.1.15

Cannes Notebook

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A Very Good Year
Colin Maccabe

(pp. 68-70) DOI: 10.1525/FQ.2009.63.1.68

San Francisco Notebook

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Work Aesthetic
Lalitha Gopalan

(pp. 72-73) DOI: 10.1525/FQ.2009.63.1.72

Intertitles

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Listing to Starboard
Paul Thomas

(pp. 86-87) DOI: 10.1525/FQ.2009.63.1.86

Book Reviews

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Review: Carl Theodor Dreyer's "Gertrud": The Moving Word. by James Schamus
David Sterritt

(pp. 75-76) DOI: 10.1525/FQ.2009.63.1.75
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Review: Brass Diva: The Life and Legends of Ethel Merman. by Caryl Flinn; Ethel Merman: A Life. by Brian Kellow
Adrienne L. McLean

(pp. 76-78) DOI: 10.1525/FQ.2009.63.1.76
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Review: Science Fiction Cinema: Between Fantasy and Reality. by Christine Cornea; Black Space: Imagining Race in Science Fiction Film. by Adilifu Nama
Martin Fradley

(pp. 78-80) DOI: 10.1525/FQ.2009.63.1.78
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Review: After Hitchcock: Influence, Imitation, and Intertextuality by David Boyd and R. Barton Palmer, eds.; Hitchcock and the Methods of Suspense by William Hare
Stephen B. Armstrong

(pp. 80-81) DOI: 10.1525/FQ.2009.63.1.80
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Review: Italian Neorealism and Global Cinema. by Laura E. Ruberto and Kristi M. Wilson, eds.
Marcia Butzel

(pp. 82-83) DOI: 10.1525/FQ.2009.63.1.82
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Review: Film Adaptation and Its Discontents: From "Gone with the Wind" to "The Passion of the Christ". by Thomas Leitch
R. Barton Palmer

(pp. 83-84) DOI: 10.1525/FQ.2009.63.1.83
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Review: Fluid Screens, Expanded Cinema. by Janine Marchessault and Susan Lord, eds.
Andrew Utterson

(pp. 84-85) DOI: 10.1525/FQ.2009.63.1.84