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Film Quarterly

Table of Contents

Vol. 63 No. 1, Fall 2009

Articles

  • You have accessRestricted access
    Rohmer's Salon
    Leo Bersani, Ulysse Dutoit
    (pp. 23-35) DOI: 10.1525/FQ.2009.63.1.23
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    A Handful of World: The Films of Peter Thompson —— An Introduction and Interview
    Jonathan Rosenbaum
    (pp. 36-43) DOI: 10.1525/FQ.2009.63.1.36
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    Imamura Revisited
    Donald Richie
    (pp. 44-49) DOI: 10.1525/FQ.2009.63.1.44
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    Bulldozers, Bibles, and Very Sharp Knives: The Chinese Independent Documentary Scene
    Abéé Mark Nornes
    (pp. 50-55) DOI: 10.1525/FQ.2009.63.1.50
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    L.A.'s Hipster Cinema
    David E. James
    (pp. 56-67) DOI: 10.1525/FQ.2009.63.1.56

Departments

Editor's Notebook

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    Against Nature
    Rob White
    (pp. 4-5) DOI: 10.1525/FQ.2009.63.1.4

Marx and Coca-Cola

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    The Future in Labor
    Joshua Clover
    (pp. 6-8) DOI: 10.1525/FQ.2009.63.1.6

New York Notebook

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    Surviving
    William Johnson
    (pp. 9-11) DOI: 10.1525/FQ.2009.63.1.9

Talking Point

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    The Avant-Garde Archive Online
    Danny Birchall
    (pp. 12-14) DOI: 10.1525/FQ.2009.63.1.12

Reconsideration

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    Le Plaisir: ““The Mask”” and ““The Model””
    V. F. Perkins
    (pp. 15-22) DOI: 10.1525/FQ.2009.63.1.15

Cannes Notebook

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    A Very Good Year
    Colin Maccabe
    (pp. 68-70) DOI: 10.1525/FQ.2009.63.1.68

San Francisco Notebook

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    Work Aesthetic
    Lalitha Gopalan
    (pp. 72-73) DOI: 10.1525/FQ.2009.63.1.72

Intertitles

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    Listing to Starboard
    Paul Thomas
    (pp. 86-87) DOI: 10.1525/FQ.2009.63.1.86

Book Reviews

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    Review: Carl Theodor Dreyer's "Gertrud": The Moving Word. by James Schamus
    David Sterritt
    (pp. 75-76) DOI: 10.1525/FQ.2009.63.1.75
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    Review: Brass Diva: The Life and Legends of Ethel Merman. by Caryl Flinn; Ethel Merman: A Life. by Brian Kellow
    Adrienne L. McLean
    (pp. 76-78) DOI: 10.1525/FQ.2009.63.1.76
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    Review: Science Fiction Cinema: Between Fantasy and Reality. by Christine Cornea; Black Space: Imagining Race in Science Fiction Film. by Adilifu Nama
    Martin Fradley
    (pp. 78-80) DOI: 10.1525/FQ.2009.63.1.78
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    Review: After Hitchcock: Influence, Imitation, and Intertextuality by David Boyd and R. Barton Palmer, eds.; Hitchcock and the Methods of Suspense by William Hare
    Stephen B. Armstrong
    (pp. 80-81) DOI: 10.1525/FQ.2009.63.1.80
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    Review: Italian Neorealism and Global Cinema. by Laura E. Ruberto and Kristi M. Wilson, eds.
    Marcia Butzel
    (pp. 82-83) DOI: 10.1525/FQ.2009.63.1.82
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    Review: Film Adaptation and Its Discontents: From "Gone with the Wind" to "The Passion of the Christ". by Thomas Leitch
    R. Barton Palmer
    (pp. 83-84) DOI: 10.1525/FQ.2009.63.1.83
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    Review: Fluid Screens, Expanded Cinema. by Janine Marchessault and Susan Lord, eds.
    Andrew Utterson
    (pp. 84-85) DOI: 10.1525/FQ.2009.63.1.84
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Film Quarterly: 63 (1)
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  • Pan's Labyrinth (El laberinto del fauno)
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  • In the Time of Plastic Representation
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