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Film Quarterly
Hong Sangsoo's Lines of Inquiry, Communication, Defense, and Escape
Akira Mizuta Lippit
Film Quarterly, Vol. 57 No. 4, Summer 2004; (pp. 22-30) DOI: 10.1525/fq.2004.57.4.22
Akira Mizuta Lippit
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Abstract

Abstract This article looks at the first four films of contemporary Korean filmmaker Hong Sangsoo. It seeks in particular to explore Hong's use of ““lines”” as geographical and behavioral figures that chart the contemporary landscape of South Korea at a complex moment in its history. The lines that traverse Hong's world produce a cinema of tangled webs and knotted relations.

  • ©© 2004 by Patrick McGilligan. All rights reserved.

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Vol. 57 No. 4, Summer 2004

Film Quarterly: 57 (4)
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Hong Sangsoo's Lines of Inquiry, Communication, Defense, and Escape
Akira Mizuta Lippit
Film Quarterly, Vol. 57 No. 4, Summer 2004; (pp. 22-30) DOI: 10.1525/fq.2004.57.4.22
Akira Mizuta Lippit
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Hong Sangsoo's Lines of Inquiry, Communication, Defense, and Escape
Akira Mizuta Lippit
Film Quarterly, Vol. 57 No. 4, Summer 2004; (pp. 22-30) DOI: 10.1525/fq.2004.57.4.22
Akira Mizuta Lippit
  • Find this author on Google Scholar
  • Search for this author on this site
  • View author's works on this site
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