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Film Quarterly

Table of Contents

Vol. 33 No. 1, Autumn, 1979

  • You have accessRestricted access
    Front Matter
    (p. 1) DOI: 10.2307/1212057
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    Editor's Notebook
    (p. 1) DOI: 10.2307/1212058

Interview

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    "I Am Not a Producer!" Working with Buñuel: A Conversation with Serge Silberman
    Randall Conrad, Serge Silberman
    (pp. 2-11) DOI: 10.2307/1212059

Articles

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    The Search for Tomorrow in Today's Soap Operas: Notes on a Feminine Narrative Form
    Tania Modleski
    (pp. 12-21) DOI: 10.2307/1212060
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    The Cinema of Marguerite Duras: Sound and Voice in a Closed Room
    William F. van Wert
    (pp. 22-29) DOI: 10.2307/1212061
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    The Lady Vanishes: Women, Magic and the Movies
    Lucy Fischer
    (pp. 30-40) DOI: 10.2307/1212062

Reviews

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    Review: The Meetings of Anna by Chantal Akerman
    Marsha Kinder
    (pp. 40-46) DOI: 10.2307/1212063
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    Review: Max Havelaar by Fons Rademakers
    Michael Covino
    (pp. 46-48) DOI: 10.2307/1212064
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    Review: The Last Supper by Tomas Gutiérrez Alea
    Karen Jaehne
    (pp. 48-53) DOI: 10.2307/1212065
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    Review: The Shout by Jerzy Skolimowski
    William Johnson
    (pp. 53-59) DOI: 10.2307/1212066
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    Review: Despair by Rainer Werner Fassbinder
    John L. Fell
    (pp. 59-61) DOI: 10.2307/1212067

Books

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    Review: American Silent Film by William K. Everson; The War, the West, and the Wilderness by Kevin Brownlow
    John L. Fell
    (pp. 62-64) DOI: 10.2307/1212068
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    Review: A History of Films by John L. Fell
    Ernest Callenbach
    (p. 64) DOI: 10.2307/1212069
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    Review: Nuclear War Films by Jack G. Shaleen
    Jayne Loader
    (p. 64) DOI: 10.2307/1212070
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    Back Matter
    DOI: 10.2307/1212071
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Film Quarterly: 33 (1)
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