Table of Contents

Vol. 33 No. 1, Autumn, 1979

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Front Matter
(p. 1) DOI: 10.2307/1212057
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Editor's Notebook
(p. 1) DOI: 10.2307/1212058

Interview

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"I Am Not a Producer!" Working with Buñuel: A Conversation with Serge Silberman
Randall Conrad, Serge Silberman

(pp. 2-11) DOI: 10.2307/1212059

Articles

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The Search for Tomorrow in Today's Soap Operas: Notes on a Feminine Narrative Form
Tania Modleski

(pp. 12-21) DOI: 10.2307/1212060
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The Cinema of Marguerite Duras: Sound and Voice in a Closed Room
William F. van Wert

(pp. 22-29) DOI: 10.2307/1212061
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The Lady Vanishes: Women, Magic and the Movies
Lucy Fischer

(pp. 30-40) DOI: 10.2307/1212062

Reviews

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Review: The Meetings of Anna by Chantal Akerman
Marsha Kinder

(pp. 40-46) DOI: 10.2307/1212063
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Review: Max Havelaar by Fons Rademakers
Michael Covino

(pp. 46-48) DOI: 10.2307/1212064
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Review: The Last Supper by Tomas Gutiérrez Alea
Karen Jaehne

(pp. 48-53) DOI: 10.2307/1212065
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Review: The Shout by Jerzy Skolimowski
William Johnson

(pp. 53-59) DOI: 10.2307/1212066
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Review: Despair by Rainer Werner Fassbinder
John L. Fell

(pp. 59-61) DOI: 10.2307/1212067

Books

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Review: American Silent Film by William K. Everson; The War, the West, and the Wilderness by Kevin Brownlow
John L. Fell

(pp. 62-64) DOI: 10.2307/1212068
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Review: A History of Films by John L. Fell
Ernest Callenbach

(p. 64) DOI: 10.2307/1212069
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Review: Nuclear War Films by Jack G. Shaleen
Jayne Loader

(p. 64) DOI: 10.2307/1212070

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Back Matter
DOI: 10.2307/1212071