Skip to main content

  • HOME
  • CURRENT CONTENT
  • ALL CONTENT
  • SUBMIT
  • ABOUT
    • Journal
    • Editorial
  • INFO FOR
    • Librarians
    • Authors
    • Reprints and Permissions
    • Advertisers
    • Subscriptions and Single Issues
  • MORE
    • Alerts
    • Contact Us

  • Login

  • Advanced search

  • Login
Advanced Search
  • HOME
  • CURRENT CONTENT
  • ALL CONTENT
  • SUBMIT
  • ABOUT
    • Journal
    • Editorial
  • INFO FOR
    • Librarians
    • Authors
    • Reprints and Permissions
    • Advertisers
    • Subscriptions and Single Issues
  • MORE
    • Alerts
    • Contact Us
Film Quarterly

Table of Contents

Vol. 18 No. 3, Spring, 1965

  • You have accessRestricted access
    Front Matter
    (p. 1) DOI: 10.2307/1210956
  • You have accessRestricted access
    Editor's Notebook
    (pp. 1-4) DOI: 10.2307/1210957
  • You have accessRestricted access
    Corrections
    Ernest Callenbach
    (pp. 4-62) DOI: 10.2307/1210958
  • You have accessRestricted access
    After the Nouvelle Vague
    Stephen Taylor
    (pp. 5-9) DOI: 10.2307/1210959
  • You have accessRestricted access
    Poster Competition Results
    (pp. 10-12) DOI: 10.2307/1210960
  • You have accessRestricted access
    Francesco Rosi: An Interview
    Gideon Bachmann, Francesco Rosi
    (pp. 50-56) DOI: 10.2307/1210966

Special Feature

  • You have accessRestricted access
    Outrage
    Sydney Field
    (pp. 13-39) DOI: 10.2307/1210961

Film Reviews

  • You have accessRestricted access
    Review: Major Dundee by Sam Peckinpah, Jerry Bresler
    Ernest Callenbach
    (pp. 40-42) DOI: 10.2307/1210962
  • You have accessRestricted access
    Review: Enjo (Conflagration) by Kon Ichikawa; Andy by Richard C. Sarafian
    William Johnson
    (pp. 42-45) DOI: 10.2307/1210963
  • You have accessRestricted access
    Review: The Pumpkin Eater by Jack Clayton
    Stephen Taylor
    (pp. 45-48) DOI: 10.2307/1210964
  • You have accessRestricted access
    Review: Mafioso by Alberto Lattuada, Dino de Lavrentiis
    Yale M. Udoff
    (pp. 48-50) DOI: 10.2307/1210965

Books

  • You have accessRestricted access
    Review: I Lost It at the Movies by Pauline Kael
    Ernest Callenbach
    (pp. 57-58) DOI: 10.2307/1210967
  • You have accessRestricted access
    Review: Movies: The History of an Art and an Institution by Richard Schickel
    Ernest Callenbach
    (p. 59) DOI: 10.2307/1210968
  • You have accessRestricted access
    Review: Journal of the Society of Cinematologists (Volume III)
    R. M. Hodgens
    (p. 59) DOI: 10.2307/1210969

Entertainments

  • You have accessRestricted access
    Review: Baby, the Rain Must Fall
    William Johnson
    (p. 59) DOI: 10.2307/1210970
  • You have accessRestricted access
    Review: The Disorderly Orderly
    R. M. Hodgens
    (p. 59) DOI: 10.2307/1210971
  • You have accessRestricted access
    Review: Fate Is the Hunter
    R. M. Hodgens
    (pp. 59-60) DOI: 10.2307/1210972
  • You have accessRestricted access
    Review: How to Murder Your Wife
    R. M. Hodgens
    (p. 60) DOI: 10.2307/1210973
  • You have accessRestricted access
    Review: Hush, Hush... Sweet Charlotte
    R. M. Hodgens
    (p. 60) DOI: 10.2307/1210974
  • You have accessRestricted access
    Review: Invitation to a Gunfighter
    R. M. Hodgens
    (p. 60) DOI: 10.2307/1210975
  • You have accessRestricted access
    Review: Joy House
    William Johnson
    (p. 60) DOI: 10.2307/1210976
  • You have accessRestricted access
    Review: Kiss Me, Stupid
    R. M. Hodgens
    (p. 60) DOI: 10.2307/1210977
  • You have accessRestricted access
    Review: Love Has Many Faces
    R. M. Hodgens
    (pp. 60-61) DOI: 10.2307/1210978
  • You have accessRestricted access
    Review: Marriage, Italian Style
    Dan Bates
    (p. 61) DOI: 10.2307/1210979
  • You have accessRestricted access
    Review: None but the Brave
    R. M. Hodgens
    (p. 61) DOI: 10.2307/1210980
  • You have accessRestricted access
    Review: Rio Conchos
    R. M. Hodgens
    (p. 61) DOI: 10.2307/1210981
  • You have accessRestricted access
    Review: Sylvia
    Ernest Callenbach
    (p. 61) DOI: 10.2307/1210982
  • You have accessRestricted access
    Review: Thirty-Six Hours
    R. M. Hodgens
    (p. 61) DOI: 10.2307/1210983
  • You have accessRestricted access
    Review: The Tomb of Ligeia
    John Thomas
    (pp. 61-62) DOI: 10.2307/1210984
  • You have accessRestricted access
    Review: The Yellow Rolls-Royce
    William Johnson
    (p. 62) DOI: 10.2307/1210985
  • You have accessRestricted access
    Back Matter
    DOI: 10.2307/1210986
Back to top

PreviousNext

In this issue

Film Quarterly: 18 (3)
  • Table of Contents
eTOC Alert

RSSRSS Icon

Jump to

  • Special Feature
  • Film Reviews
  • Books
  • Entertainments
  • Tweet Widget
  • Facebook Like
  • Google Plus One
  • Most Read
Loading
  • Pan's Labyrinth (El laberinto del fauno)
  • One Step Ahead: A Conversation with Barry Jenkins
  • Jurassic World and Procreation Anxiety
  • In the Time of Plastic Representation
  • Scenes of Hurt and Rapture: Céline Sciamma's Girlhood
More...

FIND US Facebook Account LinkRSS Feeds LinkTwitter Account LinkLinkedin Account LinkYoutube Account LinkEmail Link

Customer Service

  • Reprints and Permissions
  • Contact

UC Press

  • About UC Press

Navigate

  • Home
  • About
  • Submit
  • Editorial
  • Contact

Content

  • Current Issue
  • All Content

Info For

  • Librarians
  • Authors
  • Advertisers
  • Subscriptions and Single Issues

Copyright © 2019 by the Regents of the University of California  Privacy   Accessibility