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Film Quarterly

Table of Contents

Vol. 13 No. 3, Spring, 1960

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    Front Matter
    (p. 1) DOI: 10.2307/1210426

Editor's Notebook

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    Editor's Notebook
    (pp. 2-3) DOI: 10.2307/1210427

Articles

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    Robert Bresson
    Marjorie Greene
    (pp. 4-10) DOI: 10.2307/1210428
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    Luchino Visconti and the Italian Cinema
    Gianfranco Poggi
    (pp. 11-22) DOI: 10.2307/1210429
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    Wild Time in Tours
    Cynthia Grenier
    (pp. 23-26) DOI: 10.2307/1210430
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    A Conversation with Alain Resnais
    Noel Burch, Alain Resnais
    (pp. 27-29) DOI: 10.2307/1210431

Film Reviews

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    Review: Nazarin by Luis Buñuel, Manuel Barbachano Ponce
    Gavin Lambert
    (pp. 30-31) DOI: 10.2307/1210432
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    Review: Shadows by John Cassavetes, Maurice McEndree, Seymour Cassel
    Albert Johnson
    (pp. 32-34) DOI: 10.2307/1210433
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    Review: Les Quatre Cents Coups (The 400 Blows) by François Truffaut, Marcel Moussy
    Arlene Croce
    (pp. 35-38) DOI: 10.2307/1210434
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    Review: A Man's Destiny by Sergei Bondartchouk
    Cynthia Grenier
    (pp. 38-40) DOI: 10.2307/1210435
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    Review: Suddenly, Last Summer by Sam Spiegel, Joseph Mankiewicz
    Albert Johnson
    (pp. 40-42) DOI: 10.2307/1210436
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    Review: The Cranes Are Flying by Mikhail Kalatozov
    Mitchell Lifton
    (pp. 42-44) DOI: 10.2307/1210437
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    Review: Ben-Hur by Sam Zimbalist, William Wyler
    Albert Johnson
    (pp. 45-47) DOI: 10.2307/1210438
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    Review: La Casa del Angel by Leopoldo Torre Nilsson
    Thalia Selz
    (pp. 47-49) DOI: 10.2307/1210439
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    Review: Brink of Life (Nära Livet) by Ingmar Bergman, Svensk Filmindustri
    R. H. Turner
    (pp. 49-50) DOI: 10.2307/1210440
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    Review: Aren't We Wonderful? (Wir Wunderkinder) by Kurt Hoffmann
    Colin Young
    (p. 51) DOI: 10.2307/1210441
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    Review: Il Generale Della Rovere by Roberto Rossellini, Moris Ergas for Zebra Film
    Harriet R. Polt
    (pp. 52-53) DOI: 10.2307/1210442
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    Review: The World of Apu (Apur Sansar) by Satyajit Ray
    Jonathan Harker
    (pp. 53-54) DOI: 10.2307/1210443
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    Review: The Proper Time by Tom Laughlin, Business Administration Co.
    Joseph Kostolefsky
    (pp. 54-55) DOI: 10.2307/1210444
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    Review: The Last Day of Summer by Tadeusz Konwicki, Jan Laskowski
    C. A. Milverton
    (pp. 55-56) DOI: 10.2307/1210445
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    Review: A Non-Scheduled Train by Veljko Bulajic
    Joseph Kostolefsky
    (pp. 56-57) DOI: 10.2307/1210446
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    Review: Running Jumping and Standing Still Film
    James Broughton
    (p. 57) DOI: 10.2307/1210447
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    Review: Orfeu Negro by Marcel Camus
    Ernest Callenbach
    (pp. 57-58) DOI: 10.2307/1210448
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    Review: For Whom the Larks Sing by Laszlo Ranody
    Mark McCarty
    (pp. 58-59) DOI: 10.2307/1210449
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    Review: A Matter of Dignity by Michael Cacoyannis
    Ernest Callenbach
    (pp. 58-59) DOI: 10.2307/1210450
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    Review: The Hidden Fortress by Akira Kurosawa
    Jonathan Harker
    (p. 59) DOI: 10.2307/1210451

Entertainments

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    Review: The Crimson Kimono
    (p. 60) DOI: 10.2307/1210453
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    Review: La Grande Guerra
    (p. 60) DOI: 10.2307/1210454
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    Review: Heller in Pink Tights
    (p. 60) DOI: 10.2307/1210455
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    Review: Journey to the Center of the Earth
    (p. 60) DOI: 10.2307/1210456
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    Review: The Last Voyage
    (p. 60) DOI: 10.2307/1210457
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    Review: Li'l Abner
    (p. 60) DOI: 10.2307/1210458
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    Review: Our Man in Havana
    (p. 60) DOI: 10.2307/1210459
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    Review: Solomon and Sheba
    (p. 60) DOI: 10.2307/1210460
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    Review: Take a Giant Step
    (p. 60) DOI: 10.2307/1210461
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    Review: Tarzan the Ape Man
    (p. 60) DOI: 10.2307/1210462
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    Review: The Trial of Sergeant Rutledge
    (p. 60) DOI: 10.2307/1210463
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    Review: The Violinist
    (p. 60) DOI: 10.2307/1210464
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    Corrections for Young and Hodgens
    (p. 59) DOI: 10.2307/1210452

Book Reviews

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    Review: Film: An Anthology by Daniel Talbot
    Jonathan Harker
    (p. 61) DOI: 10.2307/1210465
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    Review: Introduction to the Art of the Movies by Lewis Jacobs
    Ernest Callenbach
    (pp. 61-62) DOI: 10.2307/1210466
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    Review: My Wonderful World of Slapstick by Buster Keaton, Charles Samuels
    Ernest Callenbach
    (p. 62) DOI: 10.2307/1210467
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    Review: Eye, Film, and Camera in Color Photography by Ralph M. Evans
    Raymond Fielding
    (pp. 62-63) DOI: 10.2307/1210468
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    Briefer Notices
    (p. 63) DOI: 10.2307/1210469

Production Report

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    Production Report
    Richard Gercken
    (p. 64) DOI: 10.2307/1210470
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    Back Matter
    DOI: 10.2307/1210471
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Film Quarterly: 13 (3)
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