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Film Quarterly

Features

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    The New Gestural CinemaYang Fudong and the Gallery Film
    Chris Berry
    Spring 2014, Vol. 67 No. 3, (pp. 17-29) DOI: 10.1525/fq.2014.67.3.17
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    Displaced PersonsIDA’s Window on Vanished Lives
    Megan Ratner
    Spring 2014, Vol. 67 No. 3, (pp. 30-34) DOI: 10.1525/fq.2014.67.3.30
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    Action Is a Most Dangerous ThingInterview with Agnieszka Holland
    Megan Ratner
    Spring 2014, Vol. 67 No. 3, (pp. 9-16) DOI: 10.1525/fq.2014.67.3.9
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    How Do We Look? An Interview with Fatimah Tobing Rony
    Pooja Rangan
    Winter 2013, Vol. 67 No. 2, (pp. 62-68) DOI: 10.1525/fq.2014.67.2.62
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    Haneke's Endgame
    Garrett Stewart
    Fall 2013, Vol. 67 No. 1, (pp. 14-21) DOI: 10.1525/fq.2013.67.1.14
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    IMAX and Its Doubles
    Ben Parker
    Fall 2013, Vol. 67 No. 1, (pp. 22-26) DOI: 10.1525/fq.2013.67.1.22
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    Cinematic Encounters in Beijing
    Joshua Neves
    Fall 2013, Vol. 67 No. 1, (pp. 27-40) DOI: 10.1525/fq.2013.67.1.27
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    Alive and WellInterviews with Jonathan Caouette and Ross McElwee
    Scott MacDonald
    Fall 2013, Vol. 67 No. 1, (pp. 41-51) DOI: 10.1525/fq.2013.67.1.41
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    Against the BeatRagtime, Black History, and Postmodernism
    J. E. Smyth
    Fall 2013, Vol. 67 No. 1, (pp. 7-13) DOI: 10.1525/fq.2013.67.1.7
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    Hitchcock on Truffaut
    Sidney Gottlieb
    Summer 2013, Vol. 66 No. 4, (pp. 10-22) DOI: 10.1525/fq.2013.66.4.10

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