Film Quarterly: 59 (1)

Vol. 59 No. 1, Fall 2005

CLOSE UP

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Understanding Man with a Movie Camera
Anne Nesbet

(p. 3) DOI: 10.1525/fq.2005.59.1.3

ARTICLES

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Lost on Pleasure Islands: Storytelling in Disney's Silly Symphonies
Russell Merritt

(pp. 4-17) DOI: 10.1525/fq.2005.59.1.4
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FLOATING ON THE BORDERS OF EUROPE SOKUROV'S RUSSIAN ARK
Kriss Ravetto-Biagioli

(pp. 18-26) DOI: 10.1525/fq.2005.59.1.18
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DOING NOTHING: Harry Langdon and the Performance of Absence
Joanna E. Rapf

(pp. 27-35) DOI: 10.1525/fq.2005.59.1.27

FILM REVIEWS

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Spring, Summer, Fall, Winter …… and Spring
(pp. 36-44) DOI: 10.1525/fq.2005.59.1.36
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Lost in Translation
(pp. 45-48) DOI: 10.1525/fq.2005.59.1.45

ANNUAL FILM BOOK SURVEY, PART II

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Beyond Bollywood: The Cultural Politics of South Asian Diasporic Film
(pp. 49-51) DOI: 10.1525/fq.2005.59.1.49
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Cinema and the Sandinistas: Filmmaking in Revolutionary Nicaragua
(pp. 51-52) DOI: 10.1525/fq.2005.59.1.51
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Cinema of the Other Europe: The Industry and Artistry of East Central European Film
(pp. 53-54) DOI: 10.1525/fq.2005.59.1.53
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Cold War, Cool Medium: Television, McCarthyism, and American Culture
(pp. 54-56) DOI: 10.1525/fq.2005.59.1.54
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Film Editing: The Art of the Expressive
(pp. 56-57) DOI: 10.1525/fq.2005.59.1.56
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Irish National Cinema
(pp. 57-59) DOI: 10.1525/fq.2005.59.1.57
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Jean-Pierre Melville: An American in Paris
(pp. 59-60) DOI: 10.1525/fq.2005.59.1.59
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Keystone: The Life and Clowns of Mack Sennett
(pp. 60-62) DOI: 10.1525/fq.2005.59.1.60
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Movie Acting: The Film Reader
(pp. 62-63) DOI: 10.1525/fq.2005.59.1.62.1
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More than a Method: Trends and Traditions in Contemporary Film Performance
(pp. 62-63) DOI: 10.1525/fq.2005.59.1.62.2
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The New Brazilian Cinema
(pp. 63-65) DOI: 10.1525/fq.2005.59.1.63
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Optical Poetry: The Life and Work of Oskar Fischinger
(pp. 65-66) DOI: 10.1525/fq.2005.59.1.65
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The Red and the Blacklist: The Intimate Memoir of a Hollywood Expatriate
(pp. 66-67) DOI: 10.1525/fq.2005.59.1.66
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Rethinking Media Change: The Aesthetics of Transition
(pp. 67-69) DOI: 10.1525/fq.2005.59.1.67
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Rites of Realism: Essays on Corporeal Cinema
(pp. 69-70) DOI: 10.1525/fq.2005.59.1.69
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Screen Traffic: Movies, Multiplexes, and Global Culture
(pp. 70-72) DOI: 10.1525/fq.2005.59.1.70
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Visions of the Apocalypse: Spectacles of Destruction in American Cinema
(pp. 72-73) DOI: 10.1525/fq.2005.59.1.72

ANNUAL FILM BOOK SURVEY, PART II: DVD REVIEW

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Screening Room
(pp. 73-75) DOI: 10.1525/fq.2005.59.1.73

ANNUAL FILM BOOK SURVEY, PART II: BOOK NOTES

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Unforgiven
(p. 75) DOI: 10.1525/fq.2005.59.1.75.1
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The Matrix
(p. 75) DOI: 10.1525/fq.2005.59.1.75.2
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Special Effects: An Oral History
(pp. 75-76) DOI: 10.1525/fq.2005.59.1.75.3
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For Ever Godard
(p. 76) DOI: 10.1525/fq.2005.59.1.76