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Film Quarterly

Table of Contents

Vol. 59 No. 1, Fall 2005

CLOSE UP

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    Understanding Man with a Movie Camera
    Anne Nesbet
    (p. 3) DOI: 10.1525/fq.2005.59.1.3

ARTICLES

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    Lost on Pleasure Islands: Storytelling in Disney's Silly Symphonies
    Russell Merritt
    (pp. 4-17) DOI: 10.1525/fq.2005.59.1.4
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    FLOATING ON THE BORDERS OF EUROPE SOKUROV'S RUSSIAN ARK
    Kriss Ravetto-Biagioli
    (pp. 18-26) DOI: 10.1525/fq.2005.59.1.18
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    DOING NOTHING: Harry Langdon and the Performance of Absence
    Joanna E. Rapf
    (pp. 27-35) DOI: 10.1525/fq.2005.59.1.27

FILM REVIEWS

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    Spring, Summer, Fall, Winter …… and Spring
    (pp. 36-44) DOI: 10.1525/fq.2005.59.1.36
  • You have accessRestricted access
    Lost in Translation
    (pp. 45-48) DOI: 10.1525/fq.2005.59.1.45

ANNUAL FILM BOOK SURVEY, PART II

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    Beyond Bollywood: The Cultural Politics of South Asian Diasporic Film
    (pp. 49-51) DOI: 10.1525/fq.2005.59.1.49
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    Cinema and the Sandinistas: Filmmaking in Revolutionary Nicaragua
    (pp. 51-52) DOI: 10.1525/fq.2005.59.1.51
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    Cinema of the Other Europe: The Industry and Artistry of East Central European Film
    (pp. 53-54) DOI: 10.1525/fq.2005.59.1.53
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    Cold War, Cool Medium: Television, McCarthyism, and American Culture
    (pp. 54-56) DOI: 10.1525/fq.2005.59.1.54
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    Film Editing: The Art of the Expressive
    (pp. 56-57) DOI: 10.1525/fq.2005.59.1.56
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    Irish National Cinema
    (pp. 57-59) DOI: 10.1525/fq.2005.59.1.57
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    Jean-Pierre Melville: An American in Paris
    (pp. 59-60) DOI: 10.1525/fq.2005.59.1.59
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    Keystone: The Life and Clowns of Mack Sennett
    (pp. 60-62) DOI: 10.1525/fq.2005.59.1.60
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    Movie Acting: The Film Reader
    (pp. 62-63) DOI: 10.1525/fq.2005.59.1.62.1
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    More than a Method: Trends and Traditions in Contemporary Film Performance
    (pp. 62-63) DOI: 10.1525/fq.2005.59.1.62.2
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    The New Brazilian Cinema
    (pp. 63-65) DOI: 10.1525/fq.2005.59.1.63
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    Optical Poetry: The Life and Work of Oskar Fischinger
    (pp. 65-66) DOI: 10.1525/fq.2005.59.1.65
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    The Red and the Blacklist: The Intimate Memoir of a Hollywood Expatriate
    (pp. 66-67) DOI: 10.1525/fq.2005.59.1.66
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    Rethinking Media Change: The Aesthetics of Transition
    (pp. 67-69) DOI: 10.1525/fq.2005.59.1.67
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    Rites of Realism: Essays on Corporeal Cinema
    (pp. 69-70) DOI: 10.1525/fq.2005.59.1.69
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    Screen Traffic: Movies, Multiplexes, and Global Culture
    (pp. 70-72) DOI: 10.1525/fq.2005.59.1.70
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    Visions of the Apocalypse: Spectacles of Destruction in American Cinema
    (pp. 72-73) DOI: 10.1525/fq.2005.59.1.72

ANNUAL FILM BOOK SURVEY, PART II: DVD REVIEW

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    Screening Room
    (pp. 73-75) DOI: 10.1525/fq.2005.59.1.73

ANNUAL FILM BOOK SURVEY, PART II: BOOK NOTES

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    Unforgiven
    (p. 75) DOI: 10.1525/fq.2005.59.1.75.1
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    The Matrix
    (p. 75) DOI: 10.1525/fq.2005.59.1.75.2
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    Special Effects: An Oral History
    (pp. 75-76) DOI: 10.1525/fq.2005.59.1.75.3
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    For Ever Godard
    (p. 76) DOI: 10.1525/fq.2005.59.1.76
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Film Quarterly: 59 (1)
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  • CLOSE UP
  • ARTICLES
  • FILM REVIEWS
  • ANNUAL FILM BOOK SURVEY, PART II
  • ANNUAL FILM BOOK SURVEY, PART II: DVD REVIEW
  • ANNUAL FILM BOOK SURVEY, PART II: BOOK NOTES
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  • Ex Machina in the Garden
  • A New History of Animation by Maureen Furniss
  • Scenes of Hurt and Rapture: Céline Sciamma's Girlhood
  • The Last Shall Be First: Aesthetics and Politics in Black Film and Media
  • Wolf Warrior 2: Imagining the Chinese Century
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