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Film Quarterly

Table of Contents

Vol. 51 No. 1, Autumn, 1997

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    Front Matter
    (p. 1) DOI: 10.2307/1213525
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    Antonioni in 1980: An Interview
    Seymour Chatman, Michelangelo Antonioni
    (pp. 2-10) DOI: 10.2307/1213526
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    Inventing Space: Toward a Taxonomy of On- and Off-Screen Space in Video Games
    Mark J. P. Wolf
    (pp. 11-23) DOI: 10.2307/1213527
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    From the Bedroom to the Bijou: A Secret History of American Gay Sex Cinema
    Jack Stevenson
    (pp. 24-31) DOI: 10.2307/1213528

Reviews

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    Review: Gabbeh by Mohsen Makhmalbaf, Khalil Doroudt-Chi, Khalil Mahmoudi
    William Johnson
    (pp. 32-35) DOI: 10.2307/1213529
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    Review: Shine by Scott Hicks, Jane Scott
    Julien Lapointe
    (pp. 36-38) DOI: 10.2307/1213530

Annual Film Quarterly Film Book Survey Part II

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    Review: American Laughter: Immigrants, Ethnicity, and 1930s Hollywood Film Comedy by Mark Winokur
    Charles Maland
    (pp. 39-40) DOI: 10.2307/1213531
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    Review: Bad Women: Regulating Sexuality in Early American Cinema by Janet Staiger
    Sumiko Higashi
    (pp. 41-42) DOI: 10.2307/1213532
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    Review: Bike Boys, Drag Queens and Superstars: Avant-Garde, Mass Culture, and Gay Identities in the 1960s Underground Cinema by Juan A. Suárez
    Matthew Tinkcom
    (pp. 42-45) DOI: 10.2307/1213533
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    Review: Emotion and the Structure of Narrative Film: Film as an Emotion Machine by Ed S. Tan, Barbara Fasting
    Stephen Prince
    (pp. 45-46) DOI: 10.2307/1213534
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    Review: A Fine Romance: Five Ages of Film Feminism by Patricia Mellencamp
    Diane Waldman
    (pp. 46-49) DOI: 10.2307/1213535
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    Review: Full of Secrets: Critical Approaches to "Twin Peaks" by David Lavery
    John P. McCarthy
    (pp. 49-50) DOI: 10.2307/1213536
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    Review: Image and Mind: Film, Philosophy and Cognitive Science by Gregory Currie
    Stephen Prince
    (pp. 50-52) DOI: 10.2307/1213537
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    Review: International FilmArchive CD-ROM
    Bertrand Augst
    (pp. 52-53) DOI: 10.2307/1213538
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    Review: Israel before Israel: Silent Cinema in the Holy Land by Hillel Tryster
    Alan Rosenthal
    (pp. 53-54) DOI: 10.2307/1213539
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    Review: Picturing Japaneseness: Monumental Style, National Identity, Japanese Film by Darrell William Davis
    Keiko McDonald
    (pp. 54-55) DOI: 10.2307/1213540
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    Review: Post-Theory: Reconstructing Film Studies by David Bordwell, Noël Carroll
    Justin Wyatt
    (pp. 55-57) DOI: 10.2307/1213541
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    Review: Replications: A Robotic History of the Science Fiction Film by J. P. Telotte
    Barry Keith Grant
    (pp. 57-59) DOI: 10.2307/1213542
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    Review: Sin and Censorship: The Catholic Church and the Motion Picture Industry by Frank Walsh; Children and the Movies: Media Influence and the Payne Fund Controversy by Garth S. Jowett, Ian C. Jarvie, Kathryn H. Fuller
    Stephen Vaughn
    (pp. 59-61) DOI: 10.2307/1213543
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    Review: Too Much of a Good Thing: Mae West as Cultural Icon by Ramona Curry
    Pamela Robertson
    (pp. 61-63) DOI: 10.2307/1213544

Book Notes

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    Review: BFI Classics: Annie Hall by Peter Cowie; BFI Classics: Women on the Verge of a Nervous Breakdown by Peter William Evans; BFI Classics: The Terminator by Sean French; BFI Classics: Easy Rider by Lee Hill; BFI Classics: Don't Look Now by Mark Sanderson
    John Fell
    (pp. 63-64) DOI: 10.2307/1213545
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    Review: Odd Man out: A Memoir of the Hollywood Ten by Edward Dmytryk
    Eric Smoodin
    (p. 64) DOI: 10.2307/1213546
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    Review: Studio Affairs: My Life as a Film Director by Vincent Sherman
    Thomas Sanfilip
    (p. 64) DOI: 10.2307/1213547
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    Review: Light and Movement: Incunabula of the Motion Picture, 1420-1896 by Laurent Mannoni, Donata Pesenti Campagnoni, David Robinson
    Russell Merritt
    (pp. 64-65) DOI: 10.2307/1213548
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    Review: Henry King, Director: From Silents to 'Scope by Frank Thompson
    Matthew Bernstein
    (p. 65) DOI: 10.2307/1213549
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    Letter to the Editor
    Russell W. Martin
    (p. 65) DOI: 10.2307/1213550
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    Back Matter
    DOI: 10.2307/1213551
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Film Quarterly: 51 (1)
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