Film Quarterly: 51 (1)

Vol. 51 No. 1, Autumn, 1997

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Front Matter
(p. 1) DOI: 10.2307/1213525
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Antonioni in 1980: An Interview
Seymour Chatman, Michelangelo Antonioni

(pp. 2-10) DOI: 10.2307/1213526
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Inventing Space: Toward a Taxonomy of On- and Off-Screen Space in Video Games
Mark J. P. Wolf

(pp. 11-23) DOI: 10.2307/1213527
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From the Bedroom to the Bijou: A Secret History of American Gay Sex Cinema
Jack Stevenson

(pp. 24-31) DOI: 10.2307/1213528

Reviews

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Review: Gabbeh by Mohsen Makhmalbaf, Khalil Doroudt-Chi, Khalil Mahmoudi
William Johnson

(pp. 32-35) DOI: 10.2307/1213529
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Review: Shine by Scott Hicks, Jane Scott
Julien Lapointe

(pp. 36-38) DOI: 10.2307/1213530

Annual Film Quarterly Film Book Survey Part II

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Review: American Laughter: Immigrants, Ethnicity, and 1930s Hollywood Film Comedy by Mark Winokur
Charles Maland

(pp. 39-40) DOI: 10.2307/1213531
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Review: Bad Women: Regulating Sexuality in Early American Cinema by Janet Staiger
Sumiko Higashi

(pp. 41-42) DOI: 10.2307/1213532
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Review: Bike Boys, Drag Queens and Superstars: Avant-Garde, Mass Culture, and Gay Identities in the 1960s Underground Cinema by Juan A. Suárez
Matthew Tinkcom

(pp. 42-45) DOI: 10.2307/1213533
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Review: Emotion and the Structure of Narrative Film: Film as an Emotion Machine by Ed S. Tan, Barbara Fasting
Stephen Prince

(pp. 45-46) DOI: 10.2307/1213534
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Review: A Fine Romance: Five Ages of Film Feminism by Patricia Mellencamp
Diane Waldman

(pp. 46-49) DOI: 10.2307/1213535
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Review: Full of Secrets: Critical Approaches to "Twin Peaks" by David Lavery
John P. McCarthy

(pp. 49-50) DOI: 10.2307/1213536
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Review: Image and Mind: Film, Philosophy and Cognitive Science by Gregory Currie
Stephen Prince

(pp. 50-52) DOI: 10.2307/1213537
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Review: International FilmArchive CD-ROM
Bertrand Augst

(pp. 52-53) DOI: 10.2307/1213538
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Review: Israel before Israel: Silent Cinema in the Holy Land by Hillel Tryster
Alan Rosenthal

(pp. 53-54) DOI: 10.2307/1213539
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Review: Picturing Japaneseness: Monumental Style, National Identity, Japanese Film by Darrell William Davis
Keiko McDonald

(pp. 54-55) DOI: 10.2307/1213540
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Review: Post-Theory: Reconstructing Film Studies by David Bordwell, Noël Carroll
Justin Wyatt

(pp. 55-57) DOI: 10.2307/1213541
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Review: Replications: A Robotic History of the Science Fiction Film by J. P. Telotte
Barry Keith Grant

(pp. 57-59) DOI: 10.2307/1213542
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Review: Sin and Censorship: The Catholic Church and the Motion Picture Industry by Frank Walsh; Children and the Movies: Media Influence and the Payne Fund Controversy by Garth S. Jowett, Ian C. Jarvie, Kathryn H. Fuller
Stephen Vaughn

(pp. 59-61) DOI: 10.2307/1213543
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Review: Too Much of a Good Thing: Mae West as Cultural Icon by Ramona Curry
Pamela Robertson

(pp. 61-63) DOI: 10.2307/1213544

Book Notes

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Review: BFI Classics: Annie Hall by Peter Cowie; BFI Classics: Women on the Verge of a Nervous Breakdown by Peter William Evans; BFI Classics: The Terminator by Sean French; BFI Classics: Easy Rider by Lee Hill; BFI Classics: Don't Look Now by Mark Sanderson
John Fell

(pp. 63-64) DOI: 10.2307/1213545
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Review: Odd Man out: A Memoir of the Hollywood Ten by Edward Dmytryk
Eric Smoodin

(p. 64) DOI: 10.2307/1213546
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Review: Studio Affairs: My Life as a Film Director by Vincent Sherman
Thomas Sanfilip

(p. 64) DOI: 10.2307/1213547
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Review: Light and Movement: Incunabula of the Motion Picture, 1420-1896 by Laurent Mannoni, Donata Pesenti Campagnoni, David Robinson
Russell Merritt

(pp. 64-65) DOI: 10.2307/1213548
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Review: Henry King, Director: From Silents to 'Scope by Frank Thompson
Matthew Bernstein

(p. 65) DOI: 10.2307/1213549

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Letter to the Editor
Russell W. Martin

(p. 65) DOI: 10.2307/1213550
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Back Matter
DOI: 10.2307/1213551