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Film Quarterly

Film Quarterly receives major funding from Ford Foundation JustFilms to advance criticism, analysis, and reporting on social justice documentary and cinema practice. Read more (PDF).

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Recently Published

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    She Can Do It
    B. Ruby Rich
    Spring 2018, Vol. 71 No. 3, (pp. 5-9) DOI: 10.1525/fq.2018.71.3.5
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    From Lampedusa to the California Desert: Gianfranco Rosi's Scenes of Living and Dying
    Emma Wilson
    Spring 2018, Vol. 71 No. 3, (pp. 10-20) DOI: 10.1525/fq.2018.71.3.10
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    Bong's Song
    Claudia Gorbman
    Spring 2018, Vol. 71 No. 3, (pp. 21-26) DOI: 10.1525/fq.2018.71.3.21
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    Toward a Cinema of Slow Violence
    Juan Llamas-Rodriguez
    Spring 2018, Vol. 71 No. 3, (pp. 27-36) DOI: 10.1525/fq.2018.71.3.27
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    The Hundred-Year-Old Question: Can American Cinema Be Saved?
    James Schamus
    Spring 2018, Vol. 71 No. 3, (pp. 37-47) DOI: 10.1525/fq.2018.71.3.37
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    Black-ish: Kenya Barris on Representing Blackness in the Age of Black Lives Matter
    Christine Acham
    Spring 2018, Vol. 71 No. 3, (pp. 48-57) DOI: 10.1525/fq.2018.71.3.48
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Current Issue

Film Quarterly: 71 (3)

Vol. 71 No. 3, Spring 2018
Table of Contents

ISSN: 0015-1386
eISSN: 1533-8630
Frequency: Quarterly
Published: September, December, March, June
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About the Journal

Film Quarterly has published substantial, peer-reviewed writing on cinema and media for nearly sixty years, earning a reputation as one of the most authoritative academic film journals in the United States, as well as an important English-language voice of cinema studies abroad.

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  • The Last Shall Be First: Aesthetics and Politics in Black Film and Media
  • One Step Ahead: A Conversation with Barry Jenkins
  • Vestiges of Motherhood: The Maternal Function in Recent Black Cinema
  • On Platforms
  • In the Time of Plastic Representation
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Designed to introduce American Studies Association members to the oldest U.S. film journal in continual publication (2018 marks our 60th birthday), our Virtual Film Quarterly Reader includes recent essays on film, episodic television, and museum installation work that are deeply concerned with questions of representation as well as its relevance to social justice, gender and sexuality studies, aesthetic strategies, industrial histories, cultural studies, and the place of popular culture in personal, national, and transnational memory.

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